As Seen In...

“The shivers of strings in "Two Worlds Collide" and "Really Long year" subtly frame both Ms. Thomas and her slow turn from hurt to hopeful.”

The New York Times

“The biggest improvisational contribution came from Seattle Rock Orchestra cello player, Emily Peterson. Her on-the-spot layering gave the night’s reflective folk-pop songs an extra hint of sensitive personality.”

Sound Magazine

“Raw, deep emotion expressed in a piano-and-vocals one-take, complete with hall gorgeous reverb and all.”